If I were shooting a lot of footage where I need a slog3 I would invest in a recorder like the odyssey where you can really see what is going on, waveforms, better histograms etc. Which gives you back your 50mm field of view but it also increase the light by one stop making your nikon 50mm F2.8 an F2.0 for example, and with the clear image zoom on you get a lot of versatility from your lenses.Ģ: I would start with the PP6 and do a lot of test with the black gamma and saturation till you find something you like.ģ: Turn on the LUT assist and the monitor will be better when your shooting log, but you can't load a particular lut in the viewfinder.

They also have a speedbooster with glass in it which takes the Full Frame 35 image circle from the DSLR lenses and reduces it to the super 35 sensor on the Sony. Metabones has two converters one is just a tube and you will get a focal factor increase, so a 50mm will be more like a 75mm (ballpark) and the f-stop stays the same. 1: nikon is fine with me I just have a ton of canon lenses.

Sony s log luts